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Theory of Musical Narrative (Musical Meaning and Interpretation) de Byron Almen
Descripción - Críticas '[N]atural, elegant, and convincing... a must for all music theory collections. Summing Up: Essential. Upper-division undergraduates through researchers and faculty.' * Choice * 'A Theory of Musical Narrative is an impressive and thought-provoking study which includes many fascinating ideas and insights as well as a comprehensive critique of previous literature.' * Music Analysis * Reimagining literary narrative theory in musical terms, Almen (Univ. of Texas, Austin) has appropriated, explicitly, various constructs and methods, albeit with qualification. The endeavor is informed by semiotic and topic theories-The Semiotics of Music, ed. by Eero Tarasti (1987), was a progenitor. That the outcome seems so natural, elegant, and convincing testifies to the author's careful work and deep understanding. He asserts that the book does not provide an analytic method but, rather, a framework; several analyses, large and small, will serve as a primer for others. In the first part of the book, Almen explains the theoretical underpinning; in the second part, he introduces four narrative archetypes that correspond precisely to the four mythoi Northrop Frye gave in his essay 'Archetypal Criticism' (Anatomy of Criticism, 1957). It would seem that Almen's theory can be applied as a means of understanding any musical work, regardless of type or style or purpose. Might a fundamental connectedness of seemingly disparate musics be revealed? That would be something. The book is out of range for all but the most intrepid undergraduates, but it is a must for all music theory collections. Summing Up: Essential. Upper-division undergraduates through researchers and faculty. -Choice -- B. J. Murray, Brevard College Reseña del editor Byron Almen proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative illustrated by a wide variety of musical examples that highlight the range and applicability of the theoretical apparatus. Almen provides a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrative provides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics. Biografía del autor Byron Almen is Associate Professor of Music Theory at The University of Texas at Austin. He is coeditor of Approaches to Meaning in Music and coauthor of Tonal Harmony.
Detalles del Libro
- Name: Theory of Musical Narrative (Musical Meaning and Interpretation)
- Autor: Byron Almen
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 16 MB
- Tipos de archivo: PDF Document
- Descargada: 456 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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A Theory of Musical Narrative (Musical Meaning and ~ A Theory of Musical Narrative (Musical Meaning and Interpretation) by Byron Almen Hardcover, 264 Pages, Published 2008: ISBN-10: 0-253-35238-X / 025335238X ISBN-13: 978-0-253-35238-5 / 9780253352385: Need it Fast? 2 day shipping options: Byron Almen proposes an original synthesis of approaches to musical narrative from literary criticis.
A theory of musical narrative (Book, 2008) [WorldCat] ~ A theory of musical narrative. An introduction to narrative analysis : Chopin's prelude in G major, op. 28, no. 3 ; Perspectives and critiques ; A theory of musical narrative : conceptual considerations ; A theory of musical narrative : analytical considerations ; Narrative and topic --Archetypal narratives and
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A Theory of Musical Narrative on JSTOR ~ Musical narrative resists simple formulation, its complex identity emerging through a confluence of factors. First, the essential characteristics of narrative are partly obscured by the distinct inflections given it by the different media through which it manifests itself.
A Theory of Musical Narrative (Musical Meaning and ~ A Theory of Musical Narrative (Musical Meaning and Interpretation) - Kindle edition by Almén, Byron. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading A Theory of Musical Narrative (Musical Meaning and Interpretation).
CiNii 図書 - A theory of musical narrative ~ A theory of musical narrative Byron Almén （Musical meaning and interpretation / Robert S. Hatten, editor） Indiana University Press, c2008
Narrative music: towards an understanding of musical ~ Narrative Music: Towards and Understanding of Musical Narrative Functions in Multimedia, (Licentiate thesis). School of Music, Luleå University of Technology, Sweden. As the computer screen is replacing the book as the dominant medium for communication (Kress, 2003), questions about how meaning is constituted by
A Theory of Musical Narrative (豆瓣) ~ Byron Almen proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field.
Review of Musical Narrative - Cognition of Musical Rhythm ~ context and interpretation, and it also implies that meaning isn’t something contained within the object or event, but rather something generated by the observer.4 These are only a couple of the many theories of musical narrative and meaning that exist, but they serve to demonstrate the wide variety and approaches that have been used to try to
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Musical Meaning in Beethoven: Markedness, Correlation, and ~ Musical Meaning in Beethoven offers a fresh approach to the problem of expressive meaning in music. Beginning with a provocative analysis of the slow movement of the Hammerklavier piano sonata, Robert S. Hatten examines the roles of markedness, Classical topics, expressive genres, and musical tropes in fostering expressive interpretation at all levels of structure.
Libros · La interpretación musical · Rink, John: Alianza ~ Esta accesible guía para estudiantes, profesores e intérpretes de todos los niveles revela las complejidades de la interpretación musical y se centra en los aspectos fundamentales del aprendizaje, la ejecución y la manera en que escuchamos música y respondemos a .
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Musical / narrative genre / Britannica ~ Musical, theatrical production that is characteristically sentimental and amusing in nature, with a simple but distinctive plot, and offering music, dancing, and dialogue. The antecedents of the musical can be traced to a number of 19th-century forms of entertainment including the music hall, comic
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Narrative Music, Visuals and Meaning in Film - Johnny ~ Narrative media music, music used for narrative purposes in multimedia such as film, television or computer games, is becoming one of the largest sources of musical experience in our daily lives. Though typically experienced on an unconscious and unreflected level, this kind of music actively contributes narrative meaning in multimodal interplay with image, speech and sound effects.
Narrative Music, Visuals and Meaning in Film ~ Keywords: Film music, Metafunctions, Multimodality, Musical semiotics, Narrative music. The emergence of new digital media is having a profound effect on how we communicate, how we make meaning and perceive the world. Kress (2003) describes how the screen is replacing the book as the dominant medium for communication. The centuries-long
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Libros · Teatro musical, I: Broadway · Gorlero, Pablo ~ Edición ampliada 2013. Cuando las palabras no son lo suficientemente fuertes para un personaje, se transforman en canción y, cuando ambas cosas no alcanzan, estalla la danza. Con el paso del tiempo, aprendimos a decir "teatro musical" o simplemente "musical". .